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Tom Hunter: Axis Mundi & Bathing Places, Dublin Bay


Axis Mundi & Bathing Places, Dublin Bay solo exhibition by Tom Hunter

February 19 - March 2015
Opens Thursday, February 19, 6-8pm

Inner Circle   2013  C-type print  Edition of 4  76.2 x 96.5cms

Inner Circle  2013  C-type print  Edition of 4  76.2 x 96.5cms

The Green On Red Gallery is delighted to announce the opening of Tom Hunter’s fourth solo exhibition, Axis Mundi & Bathing Places, Dublin Bay, at the Spencer Dock gallery on Thursday, February 19, 6-8pm.  The show consists of two separate bodies of work, one made in the last 2 years in the artist’s native England, the other made while on the Artist’s Residency Programme in the Irish Museum of Modern Art in Dublin in 2006. 
 
Tom Hunter is perhaps best known for his alluring and beautifully composed images of the marginal in society, specifically in the neighbourhood of Hackney, East London, home to the artist for the last 20-30 years.  Hunter’s honest depiction of life in the bars, the streets and halls of Hackney, far from being voyeuristic, reveals the drama and the dignity of ordinary lives.  What is special about these varied scenes of seedy or borderland London is how they wear the garment and authority of art history.  Each photograph references a painting in the collection of the National Gallery, London and, more generally, the artist’s deep admiration for the quiet, mysterious interiors of Johannes Vermeer’s 17th C. Delft, for example.
 
Axis Mundi & Bathing Places, Dublin Bay are produced in a medium size and photographed using a large-format, pin-hole camera.  They are as close as the artist has come to shooting pure, romantic landscape subjects.  Nature is seen at its most exposed and elemental, possibly at dawn.   The pin-hole camera, like a “ heavenly portal “ lends a drama and distortion that magnifies the subject and lifts it out of the ordinary.  The bending horizon, the even grey Dublin light, the pull of the ample sea, the bursting pink light on the English horizon gives both series a timeless and ageless dimension.  Heaven and earth are joined in these images in a cosmological declaration.
 
The mark of man, however, is evident even central to the story of these works.  The menhirs are testament to a prehistoric civilisation about which little is known for fact except, on the evidence of its surviving monolithic architecture, that it clung predominately to north Western Europe and parts of North Africa.  It is easily imagined as a time of giants, great legends and heroic battles.  As a child the artist walked the ancient roads leading to these focal points in the land.  But the artist’s more immediate predecessors here are the communities of travellers, revellers and revivalists with their own rites and heroics.    
 
Later, as I started walking this landscape, the hill forts of Hambledon Hill, Hod Hill, Badbury Rings and Spetisbury Rings took me back to an imagined world of Asterix and Obelix fighting great battles of independence and liberation.
 
As a teenager in the late Seventies the tribalism and eccentricity in England seemed to explode, with hundreds of bikers roaring through our village on a Bank holiday, like a huge invading army of Goths, to the Mods, Skinheads and my new adopted brethren the Punks. Some of these tribes were drawn to the Stonehenge Free Festival.
 
( Tom Hunter )
 
The hand bars, on the other hand, at Sandycove and Seapoint remind us of the invisible community of open water swimmers and another monumental, epic journey which begins with the following description :
 
Lend us a loan of your noserag to wipe my razor.
A new art colour for our Irish poets : snotgreen.  You can almost taste it, can’t you ?
He mounted the parapet again and gazed out over Dublin bay, his fair oakpale hair stirring slightly.
- God, he said quietly.  Isn’t the sea what Algy calls it : a grey sweet mother ?  The Snotgreen sea.  The scrotumtightening sea.  Epi oinopa ponton.  Ah, Dedalus, the Greeks.  I must teach you.  You must read them in the original.  Thalatta !  Thalatta !.  She is our great sweet mother.  Come and look.
 
                                                                                                            ( Ulysses, James Joyce )
 
Journey is the leitmotif for Tom's work as an artist.  His journey, of course, is more an internal one.
 
Tom continues to exhibit internationally and has recently exhibited at the Wellin Museum of Art, Clinton, New York, Scandinavia, elsewhere in Europe and in China.  In 2015 he will take up a commission to complete a project during a residency in Jordan on the life of Laurence of Arabia, a fellow-Dorset man.
 
The artist will give a talk on his work on March 6th, 1-2pm in the Green On Red Gallery in Spencer Dock.  Free.  Booking advisable.  On March 12th Donal Curtin, Senior Partner, BCK Chartered Accountants and Chairman of the Board of Chambers Ireland will give a talk in the gallery on The Art of Collecting at 6pm.  All welcome.

Earlier Event: December 12
Renew
Later Event: May 15
Light Falls