NEW WORK NEW ARTISTS

18 December 2025-13 February 2026

Bridget Riley Bagatelle 3 2015 Screenprint on fabriano 5 paper 72.5 x 64 cm

Bridget Riley Bagatelle 2 2015 Screenprint on Fabriano 5 paper 58 x 88 cm

The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift.
— Bridget Riley, The Pleasures of Sight, 1984

Fergus Martin Space II 2025 Archival pigment print on 310gsm Canson Edition Etching 160 x 112 cm 1/5

The geometric forms that consistently appear in his work give shape to his preoccupation with space, form and materials with a radical clarity.
— Fergus Martin

Emily Waszak Peninsula 2024 Wool yarn, FR polyestere, nylon, cotton, elastic, brass, wood, Leitrim ash, Donegal marble 150 x 120 x 100 cm

With a background in industrial weaving, her work is concerned with ritual and ruin in late stage capitalism.

As a widow, themes of grief and loss are ever present in her art. 

Mark Joyce Cassini V 2025 Acrylic on rolled 95 x 66 cm

Mark Joyce

practice is rooted in optics and colour. His work sits between inquiry and

expression. In this new series, the ‘wandering’ is both a reference to celestial

mechanics and a nod to his journey over the decades through the indeterminacy of

painting.

Caroline McCarthy Composition with Red, Yellow, Black, Blue, Green, Pink, Brown and Silver #4 2025 54 x 54 cm - Acrylic on linen

It’s not about appropriating so much as my interest in the language of absolutely everything, and how this language, however unassuming, is used to create meaning, whether practical or ideological.
— Caroline McCarthy - interview with Alan Phelan

“ At the core of my practice is an interest in how we see and experience the world. I’m

interested in the space between the world we inhabit and the one within our minds.

I create paintings and ceramics that can be seen as representations of a different

world or state of mind.

My work unpacks visual language and re-assembles it to

create new meaning and association. These new geographies and artefacts question

the language of painting and cultural and historical representations. The abstract

worlds I create at times teeter on the edge of edges, balancing precariously close

to chaos. Other times they are a celebration of life, sprouting unknown gardens and

vistas in a colourful explosion. They can appear like a waking dream leaving the

viewer in a state of hypnagogia, drifting between the sleep world and our own. “

-Damien Flood

Damien flood Twisting Branches 2025 - Oil on canvas, ceramic, linen frame 71.5 x 62 cm

Luke van Gelderen (b.1997, Dublin, Ireland) works across film, sculpture, image making and digital media,

creating immersive installations that examine the performance and mediation of contemporary identities

through technology. Converging celebrity culture, alienation, masculinity and violence, his work is grounded

in his own experience of recurring intrusive thoughts and images amplified by the internet.

Nigel Rolfe Have Want Need 2025 - Hand-painted gold on giclée print on 300gm acid free paper 100 x 70 cm

Luke Van Geldereren I don’t even have words 2024 Xerox image transfer on wood panel, UV archival spray 147 x 100 cm

Rolfe is celebrated internationally for his precise, risk-taking and deeply poetic live works, where the body and elemental materials - earth, stone, water, sound - meet in acts of tension, fragility, and transformation. His performances have defined a language of immediacy and presence, shaping performance art as both a practice and philosophy.

 

Oisin Tozer Video 2025 John Cronin Fictional Fiction 2025 61 x 122 cm

 

Kirstin Arndt  Untitled  2025  Aluminium, powder coated, black  151 x 187 x 25 cm

 

Alan Butler  Fountain  2025  Patinated and polished bronze  27 x 29 x 25cm

Alan Butler  Procedural Oceanscapes for GLSL 01  2025  Real Time Open GL Tessendorf Shader Unending generative video

Alan Butler  Ghost Mussels III  2025  Acrylic on PETG  37 x 34 x 33 cm

 

 Niamh McCann  Naming is Power, Mapping is Power, Boundaries are Power (Red dog)  2023  Silkscreen print on polished brass  100 x 200 cm

 

John Cronin  Fictional Fiction  2025  Oil on canvas  41 x 31 cm

John Cronin  Fictional Fiction 1 ( Digital Nerve System ) 2025  Oil on aluminium  61 x 122 cm

John Cronin  Fictional Fiction 3 ( Integrated Mainstream )  2025  Oil on aluminium  61 x 122 cm

John Cronin  Fictional Fiction 4  ( Assigned Values )  2025  Oil on aluminium  61 x 122 cm

 

Emily Waszak  We Speak Through Worlds   2023  Wool, wood, etched brass, clay  280 x 220 x 60cm

 

Damien Flood  Posey  2025  Oil on hessian, linen frame  71.5 x 62 cm